Online
⟡ ‘On For now I am sitting here growing transparent by Yau Ching (translated by Chenxin Jiang)‘, The Poetry School Blog
⟡ ‘On Commonwealth by Theophilus Kwek‘, Hong Kong Review of Books 香港書評
⟡ ‘Soft Susurrus: An Interview with Wing Lam Tong, author of Speak Still (404 Ink, 2025), Tintjournal
⟡ ‘She is elegylight: A Review of Pink Waves by Sawako Nakayasu’, Cha
⟡ ‘Hybridity Haunts: A Review of Two Singaporean Poetry Collections’, Sine Theta Magazine
⟡ ‘On Witness, With-ness, Whiteness, and Writing The Birth of a New Hero’, Nine Arches Blog
⟡ ‘The Inevitability of Spring: Interview with Mohamed Tonsy, author of You Must Believe in Spring‘, Tintjournal
⟡ ‘St(itching) Silence’, CHAT (Centre for Heritage, Arts & Textile) Blog
⟡ ‘Toying With Lost Time: A Review of Anything But Human by Daryl Lim Wei Jie, This Floating World by Gwee Li Sui, and Grandma’s Attic, Mom’s HDB, My Wallpaper by Heng Siok Tian’, Cha Blog
⟡ ‘Tongues on Rock: Home-Making in Parallel Languages’, Scottish BIPOC Writers Network
⟡ ‘Poetry Speaks: Connecting the Dots’, HKBU Agora
⟡ ‘A Brief Chronology of My English Accent’, Tintjournal
In-Print
⟡ 記「巴勒斯坦、烏克蘭、 蘇丹離散詩人導讀」, 《聲韻詩刊 Voice and Verse Magazine》Issue 83
⟡ Ten Poets Tell You Their Favourite Ghost Story, Sidekick Books
⟡ ‘A Brief Chronology of My English Accent’, Tinted Trails
⟡ ‘Confessions’, State of Play: Asian Poets in Conversation, Out-Spoken Press
